Zhanyi Chen (b.1997) recently graduated from MIT with an MS degree in Art, Culture, and Technology. Her art probes how soft science fiction offers intervals to reflect on the tension between sky technologies, their environmental and psychological effects, and the cultures in weather and environments. Using weather satellite data, early Space Age archives, and speculative storytelling, she makes objects that propose how celestial and other infrastructural technologies, from language to electronics, can be strategically misused to prioritize human experience over functionality. When these technologies fail, they become conduits for narrative and emotion, speaking about our constant yearning for miraculous connections.